Saturday

2 Important Suggestions When Purchasing A Diamond Saw Blade

What are diamond blades you may ask? Well, have you ever been driving down the road and you see some construction workers cutting either the road or cement? The circular metal tool that actually cuts the material is what the diamond blade is. This metal is very strong only if it is used correctly. There are many different diamond blades made especially for different types of metals and concrete. Each diamond blade is made for certain abrasive material and if you do not have the right blade for the job it will not cut it. Finding the correct diamond blade for the job is crucial if you want to complete the job. Diamond blades can be used to cut through many different types of abrasive metals and concretes.
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Diamond saw blades are usually used on construction sites, home remodeling, or repairing city roads and highways. There are many different diamond saw blades and accessories such as core bits to select from but each one is made for certain abrasive materials and if you choose the wrong one I can guarantee you that you are not going to be happy with it. Each diamond saw blade is made unique so that it is very efficient in cutting a certain abrasive material. Diamond blades are made unique to cut through asphalt, concrete, brick, and block. The reason why each diamond saw blade is created different is so that the user can get the maximum strength and potential of the blade without having to replace it every time you are finished cutting.
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When selecting a diamond saw blade you will have to take into consideration which core bits you will need to use. The core bits are basically used as the power of the diamond saw blade and the diamond blade actually does the cutting. You have to make sure you match the core bits and the diamond blade saw. Just like diamond saw blades the core bits are matched to fit certain diamond blades to provide efficiency, speed and strength. Some core bits are used especially for speed because some material needs a higher rpm to cut through it and if the blade does not have the required speed it will either warp or probably break. If not the blade will not work to its potential and may even warp or break. Some diamond blades are also made to cut while running water over them while they are cutting. This helps keep the diamond blade temperatures lower so that the blade does not warp and keep it from cracking. You will want to make sure that you do not purchase the wrong diamond saw blade and core bits because you will be spending a lot more in replacements. These are not cheap so please do your homework.
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There are many varieties of diamond saw blades and core bits to choose from with each made for cutting a specific type of abrasive material. Make sure you take your time and plan which blade and core bit you will need to purchase for the desired abrasive material you will be cutting. There are also many online diamond blade distributors that you may be able to purchase some blades at a discounted price. More importantly these online stores can provide you will online information and some even provide a phone number that you can call to receive more information. Good luck on your purchase and the job it will be used for.

Friday

the Four Cs Of Diamonds



Carat Weight

A carat is a unit of measurement, it's the unit used to weigh a diamond. One carat is equal to 200 milligrams, or 0.2 grams.
diamond buying guide point Size does matter. It is not, however, a measure of your love.

diamond buying guide point Keep in mind that differences in size are clearly visible... even to the untrained eye.
The word "carat" is taken from the carob seeds that people once used in ancient times to balance scales. So uniform in shape and weight are these little seeds that even today's sophisticated instruments cannot detect more than three one-thousandths of a difference between them.
[NOTE: Don't confuse "carat weight" with "karat," the method of determining the purity of gold.]
The process that forms a diamond happens only in very rare circumstances, and typically the natural materials required are found only in small amounts. That means that larger diamonds are uncovered less often than smaller ones. Thus, large diamonds are rare and have a greater value per carat. For that reason, the price of a diamond rises exponentionaly to its size.
What Size Diamond Should I Buy?


  • First, determine your budget. One general rule of thumb when buying a diamond engagement ring is "two months salary." This is just a guideline, it's not carved in stone and your first consideration should be what you can comfortably afford -- not what the diamond industry or a jeweler tells you (they are not unbiased in this matter).

  • Deciding on carat size is really about striking a balance between size and quality. If she prefers larger jewelry items, and you are working within a budget, you can still find a larger diamond of excellent quality gem by selecting one which is graded slightly lower in terms of color and clarity.

  • Remember that slender fingers make small diamonds look bigger. If she has small fingers, a 1-carat diamond will look proportionately large -- and an even larger stone may appear stunningly big!

  • Think about what sort of setting will hold the diamond. You'll have to be sure that the setting you choose is made to fit the carat weight of your diamond.

  • Diamond Cut

    Diamond Cut


    diamond buying guide point Don't confuse the diamond's "cut" with the diamond's "shape."
    First, don't confuse diamond "cut" with "shape." Shape refers to the general outward appearance of the diamond, (such as round, emerald, or pear). When a diamond jeweler (or a diamond certificate) says "cut," that's a reference to the diamond's reflective qualities, not the shape (or at least it should be, we have found that even some "jewelers" don't appear to know the difference between "cut" and "shape").

    diamond buying guide point The quality of the "cut" does make a difference in how a diamond looks.
    Diamond cut is perhaps the most important of the four Cs, so it is important to understand how this quality affects the properties and values of a diamond. A good cut gives a diamond its brilliance, which is that brightness that seems to come from the very heart of a diamond. The angles and finish of any diamond are what determine its ability to handle light, which leads to brilliance.
    (See Diamond Anatomy for an explanation of the terms used in the next paragraphs.)
    As shown in the images below, when a diamond is well-cut, light enters through the table and travels to the pavilion where it reflects from one side to the other before reflecting back out of the diamond through the table and to the observer's eye. This light is the brilliance we mentioned, and it's this flashing, fiery effect that makes diamonds so mesmerizing.
    ideal cut diamond fine cut diamond
    shallow cut diamond deep cut diamond
    In a poorly cut diamond, the light that enters through the table reaches the facets and then 'leaks' out from the sides or bottom of the diamond rather than reflecting back to the eye. Less light reflected back to the eye means less brilliance. Good Proportions are Key
    Most gemologists agree that the best cut diamonds are those that follow a set of formulae calculated to maximize brilliance. These formulae can be seen in a diamond's proportions, most importantly how the depth compares to the diameter, and how the diameter of the table compares to the diameter of the diamond.


    diamond buying guide point If you opt to buy a diamond without an AGS certificate, spend some time looking at certified diamonds (where you know the Cut Grade) and train your eyes to identify the better cuts (by their "sparkle"). Cut does make a difference to the outward appearance of a diamond.
    However, the variance in the proportions between an Ideal Cut and a Poor Cut can be difficult to discern by the casual observer.
    Because cut is so important, several grading methods have been developed to help consumers determine the cut of a particular diamond. In general, these grades are:
    • Ideal
    • Premium
    • Very Good
    • Good
    • Fair & Poor
    Which Grade of Cut Should I Buy?
    Selecting the grade of cut is really a matter of preference. To make the best selection, you need to understand the various grades. Please note that the descriptions below are general guidelines.
    Ideal Cut
    This cut is intended to maximize brilliance, and the typically smaller table sizes of these diamonds have the added benefit of creating a great deal of dispersion or 'fire' as well. Ideal quality diamonds are truly for the person who enjoys knowing that he has one of the finest things that money can buy. This category applies only to round diamonds.

    Premium
    In the case of round diamonds, many Premium Cut diamonds have cuts that are the equal of any Ideal Cut diamond, though they often can be purchased at slightly lower prices than AGS Ideal Cuts. They are intended to provide maximum brilliance and fire. Like the Ideal Cut, these are also for the person who enjoys knowing that he has one of the finest things that money can buy.

    Very Good
    These diamonds reflect most of the light that enters them, creating a good deal of brilliance. With these diamonds, the cutters have chosen to stray slightly from the preferred diamond proportions in order to create a larger diamond. The result is that these diamonds fall slightly outside of some customers' preferences in terms of, for example, table size or girdle width, though, in many cases many of the parameters of diamonds in this range will overlap with certain parameters of diamonds in the Ideal or Premium ranges. Generally, the price of these diamonds in slightly below that of Premium cuts.

    Good
    Diamonds that reflect much of the light that enters them. Their proportions fall outside of the preferred range because the cutter has chosen to create the largest possible diamond from the original rough crystal, rather than cutting extra weight off to create a smaller Premium quality diamond. Diamonds in this range offer an excellent cost-savings to customers who want to stay in a budget without sacrificing quality or beauty.

    Fair & Poor
    A diamond graded as fair or poor reflects only a small proportion of the light that enters it. Typically these diamonds have been cut to maximize the carat weight over most other considerations.

    Diamond Anatomy
    Wondering what on earth is the diamond's pavillion? Table? Culet? The graphic and supporting text below explain the various "parts" of a diamond.

    diamond sections

    • Diameter
      The width of the diamond as measured through the girdle.
    • Table
      This is the large, flat top facet of a diamond.
    • Crown
      The upper portion of a cut gemstone, above the girdle.
    • Girdle
      The narrow rim of a diamond that separates the crown from the pavilion. It is the largest diameter to any part of the stone.
    • Pavilion
      The lower portion of the diamond, below the girdle. It is sometimes referred to as the base.
    • Culet
      The tiny facet on the pointed bottom of the pavilion, which is the portion of a cut gem below the girdle.
    • Depth
      The height of a gemstone, from the culet to the table. 
    from:diamondbuyingguide

    Wednesday

    Learn More about Diamonds

    A Diamond is a mineral made of carbon that is crystallized. In fact a diamond is more than 99.95% pure carbon. The remaining 0.05 percent of the elements often influences the crystal's color and shape. The diamond is also by far the hardest natural substance known to man. Diamonds form between 75 and 120 miles below the earth's surface. Only at these great depths do the necessary temperature and pressure exist to form this unique gem. Diamonds were delivered to the surface by volcanic eruptions. These eruptions occurred over 50 million years ago. Geologists believe that the first delivery occurred more than 2.5 billion years ago. After reaching the surface, some diamonds settled back into their volcanic pipes. Other diamonds were washed hundreds of miles away by floods and rivers. Some diamonds reached the oceans and were washed back onto the beach. The first diamond mines were discovered in India before 500 BC. India has been the world's major supplier of diamonds for over 2,000 years, producing some of the most famous diamonds. Today, India accounts for only a tiny percentage of the world's diamond production. Today's diamond production leaders are currently Australia, Botswana, Russia, South Africa, Zaire and Canada. Before being transformed into a beautiful piece of jewelry, the diamond must undergo several stages.
    STAGE 1 - MINING
    The diamonds that made it to the surface were forced up volcanically, through kimberlite pipes. A typical pipe mine consists of a large vertical shaft with tunnels running from the main pipe. The deepest mine runs about 3,500 feet down into the earth. More than 200 tons of rock, gravel and sand need to be blasted, crushed and processed to yield just one carat of gem quality diamonds. Finding diamonds and getting them out of the ground may require the use of jet engines to thaw the frozen ground or to endure the sweltering desert heat. Only about 20% of all rough diamonds are suitable for polishing; the rest are used for industrial purposes. Once the rough is found the diamond's journey begins.
    STAGE 2 - ROUGH REACHES THE MARKET
    A large proportion of the world's rough supply finds its way to De Beers' Central Selling Organization (CSO). The rough the CSO buys is sorted into more than 5,000 different categories. Once the rough is sorted and priced, it is sold to manufacturers at sights. There are ten sights a year, each lasting a week. The chosen few afforded the chance to purchase at these sights are called sight holders. The balance of the world's rough supply is sold to private buyers, and some through private auctions.
    STAGE 3 - MANUFACTURING THE DIAMOND
    Regardless of the source, all rough eventually finds its way to the cutting centers. Today, the major cutting centers are Antwerp, Israel, Bombay, Johannesburg, and New York. Upon reaching its destination the rough is carefully examined to decide how it should be cut to yield the greatest value. After the stone's shape and size are determined, taking into consideration the rough's shape, as well as the number and position of its internal inclusions, the stone is marked and usually sawed or cleaved.
    The stone then goes through a series of cutters who each have their own specialty. Finally the diamond is polished and ready for sale.
    STAGE 4 - THE FINAL JOURNEY
    After a diamond is manufactured it needs to be sold. For decades diamond manufacturers have sold their cut diamonds to jewelry manufacturers and diamond wholesalers who in turn, sell to jewelry wholesalers and to retail jewelry stores. Today's technology is changing the diamond pipeline. Diamond manufacturers now have a direct link to the final customer.
    By learning the 4C's and buying only certified diamonds it is possible to purchase the same quality diamond for a significantly lower price, over the internet.

    Diamond Fluorescence

    When we speak of Diamond Fluorescence, we are referring to the diamonds tendency to emit a soft colored glow when subjected to ultraviolet light (such as a "black light").

    Before going into the details of fluorescence, here's our overall opinion: the simple existence or absence of fluorescence should not influence your decision to purchase a diamond.

    exclamation point Diamond Fluorescence is a hotly debated topic in the diamond industry, but a 1997 study by the GIA suggests fluorescence makes very little difference to the appearance of the diamond.

    In the diamond industry, the existence of fluorescence in a diamond (caused by the natural mineral properties of the diamond), has caused many debates and has, in many instances, influenced the pricing of diamonds.


    diamond
    Natural Light
    diamond fluorescence
    UV Light
    Simulated fluorescence
    It is common to find that diamonds with colorless grades (D-E-F) or near colorless grades (G-H-I-J) are lower in price when they exhibit fluorescence and faint yellow grades (K-L-M) are higher in price when exhibiting fluorescence.
    The "theory" has been that: 1) fluorescence has a negative impact on colorless diamonds (making them appear cloudy) and 2) a positive impact on faint yellows (blue fluorescence supposedly counter-balancing the yellow color and making the diamond appear whiter).
    Given the results of a 1997 GIA study on the effect of ultraviolet fluorescence on a diamond's appearance, we tend to toss the first half of that theory out the window and give slightly less credence to the second half.
    The GIA study selected a group of similarly graded diamonds with varying degrees of fluorescence to be observed and commented on by study participants. Participants in the study included: trained diamond graders, trade professionals (e.g., jewelers), and average observers (general jewelry buying public).
    Here's a quote from the study:
    "For the average observer, meant to represent the jewelry buying public, no systematic effects of fluorescence were detected. Even the experienced observers did not consistently agree on the effects of fluorescence from one stone to the next. "In general, the results revealed that strongly blue fluorescent diamonds were perceived to have a better color appearance when viewed table-up [ed: right-side up, as when placed in a setting] with no discernible trend table-down [ed: upside-down]. Most observers saw no relationship between fluorescence and transparency."
    In other words, for the average observer fluorescence made no difference and experienced observers (diamond graders and trade professional) did not agree on the influence of fluorescence. And contrary to previous theories, the experienced/trained observers most consistently determined that diamonds with strong fluorescence were the ones with the best color.
    Bottom Line on Fluorescence
    Don't let flourescence unduly influence your choice when selecting a diamond.
    If industry experts can't agree on the influence of flourescence and constantly split hairs over its effect, we feel it falls into the range of minutiae that simply serves to confound and confuse, rather than inform the diamond buying public.
    However, because of industry debate and prejudice (which appears unfounded), you may find colorless or near-colorless diamonds that exhibit fluorescence have slightly lower prices than those that do not. Our opinion? Enjoy the lower price.
    Of course, if you are buying diamonds as an investment and intend resale, you'll want to pay attention to how the industry prices diamonds with fluoresence -- independent of whether the price difference is justified.

     

    Sunday

    Classy Pearls for Your Wedding Day

    A pearl is essentially a hard object which has been produced within a soft tissue; it is composed mainly of calcium carbonate in small crystalline form. Natural pearls are created naturally, while cultured pearls are created by man. For years pearls have been admired and loved for their uniqueness and exquisiteness. Their special luster stems from the way in which they reflect, diffract and refract light from all of their translucent layers. One important emotional factor which links pearls with humans is their use as a 'wedding gem': for centuries, pearls have been cherished and used widely as part of the bride's accessories.

    Even today there are many who consider a wedding ceremony incomplete without fine jewelry items carrying pearls for the bride. Fashion jewelry with pearls gives the woman an elegant style and sophisticated glow on the most important day of her life. Pearls are believed to ensure marital bliss and to signify purity on that special occasion.

    If you are choosing pearls for your special day, it is important that you inspect them properly before purchasing them. If you are on a budget, you will be happy to know that pearls can be purchased for a wide range of prices. Today, natural pearls are considered very rare and expensive. Cultured pearls, on the other hand, are the most popular and affordable pearls on the market. Cultured pearls include South Sea pearls, Tahitian pearls, Akoya pearls and freshwater pearls, the latter being the least expensive.

    On your pearl shopping expedition, there are a few things that need to be borne in mind. First, their color: pearls can be white, cream, pink or golden. The most valuable pearls are soft in hue and very radiant. You can always evaluate whether the name behind the brand is a trustworthy one. There are many renowned fashion jewelry suppliers who deal with very good quality jewelry items, and you can easily check out their items on the internet.

    Second, the size of the pearl must be considered: the bigger the pearl, the more costly it is. Brides generally seek fine jewelry items with big pearls, as these give a striking appearance and go well with the classy wedding gown.

    The third factor to consider is luster. We all know that a gem's fame relies on its graceful luster which reflects the light and gives a soft but stylish look. An affordable pearl comes with a duller appearance while an expensive one is brighter.

    Fourth, you can take note of the pearl's shape: pearls of very high quality are round in shape and have minimal imperfections on their surface. In fact, good quality pearls are known by their smooth surface texture. You can use your finger to feel for any surface abrasions. Though the better quality pearls are extremely classy and attractive, they are also quite costly.

    However, expensive natural pearls are not the only options available. You can go for fashion jewelry items with cultured freshwater pearls which are quite inexpensive but will nevertheless complement your wedding gown in a wonderful way. On the other hand, if price is no object, you are better off going for the expensive pearls. Whatever you choose for your special day, do ensure that you purchase it from a reliable jewelry manufacturer. The name behind the brand matters a great deal when it is your big day and you want to put forth your best appearance in front of your family and friends.

    Silver jewelry store - the first visit

    I think that one of the most thrilling era in any girl's life is her first time she enters a silver jewelry store. Then again, I think that lots of women never grow out of that feeling of excitement either ! There exists something magical about observingat all of the radiants pieces glittering in the silver jewelry store front glass, even if you cannot come with the money to purchase everything that you see.

    My youngest daughter's expression lit up when she saw all of the attractive children's items on the first that I took her to a silver jewelry store. When we entered she felt like a princess testing on all of the bracelets and necklaces with attractive designs and the silver jewelry store personnels seemed to like watching her almost as much. When we left the silver jewelry store with her new bracelet carefully covered up she was staying close onto the paper bag as if it was the most precious thing in the world. She still has that bracelet even now, although it has long time ago gotten too tiny for her to put on, and it reminds me of that original trip we took to the silver jewelry store together although since than we have been there more times .

    Certainly, a silver jewelry store may too be an extremely romantic place. Does it sound strange ? Well, think about it. How many couples go to a silver jewelry store the same time to select their wedding rings ? I know how electrifying it felt when my fianc� and I went to decide upon our wedding rings and at last found a silver jewelry store that had the perfect ones in their window. When we went inside we both had a feeling that this will signify the beginning of our new life together and the silver jewelry store took an significant part in that.

    I assume it does not matter what you purchase in a silver jewelry store they always seem to have an atmosphere of something special about them. It might be the fact that there are a lot of expensive items around , and everything is shining with that newly cleaned appearance that only silver jewelry store employees seem to be able to achieve!

    Sometimes it is easy to feel a little not dressed properly , specially when you enter some of the more exclusive types of silver jewelry store . Those that you have to ring a bell to be let into, but I like them all the same. I must disclose that I am not wearing jewelry often but I do like to have some jewelry around for special occasions , and often browse around at the local silver jewelry store when I need some moral boost . It might look ridiculous but maybe you should try it too because all that brilliance surrounding me for sure seems to boost my moral.

    Tuesday

    FIVE MOUNTAIN ARTS EXPRESSION TLATAH

    Dayakan
    Dayakan4 Dayak tribe is indigenous tribes of Borneo Island. So for Sampeyan outside the five mountains, Merapi, Merbabu, Telomoyo, Cleft, and Menoreh could be going wrong idea when they hear the word empower. Dayakan actually is one of the original art form Magelang.

    The term empower first time I heard after graduating elementary school around the end of the 80s. Is Mas Tri, youth from around Blondho Brajan Hamlet who introduced me to empower the arts. Mas Tri own including early generation empower community members in the village. At that time I became acquainted with him when he was ngayahi septitenk project behind the house.

    Dayakan actually a term for a group of wong reasons, namely inland tribes who are not familiar with the outside world. This term is misleading indeed referring to the Dayak tribe of Borneo. However, when viewed in passing from the costumes worn by this art exhibit, more similar to the Indians, indigenous peoples in the Americas. Dayakan3

    Dayakan3Kemiripan use of fur clothing accessories-buluan in perhaps what makes this kind of art referred to as empowering, because it is often the Dayak people also use eagle feathers or bird Adjutant for the jewelry itself. Or perhaps the knowledge of the villagers about the names of the tribes in the new world to know the extent of Dayak tribe as a tribe outside of Java. Or it could be because the pronunciation of empowering more pleasant to hear than the word indianan, or indiaan. Or even perhaps a sense of fanaticism and melu handarbeni, as well as a sense of cultural tolerance as fellow sons and daughters of landless Indonesian water. Ahh did not clearly empower the historical ontology.

    Dayakan can be expected is the development of cobra art students. Judging from the similarity ubo Rambe main gamelan is used, such as drum / drum, and bende appear once the similarities. Judging from the counterpoint that there are similarities dinyanyikanpun where many themed songs played mission, in addition to national songs, mocopatan, and mix the modern sari.

    It's just that indeed there are some modifications in terms of formations and marching procedure that is more dynamic and without a rigid grip like the cobra. Additions such as organ accompanist, siter or lute empower more and add dynamic art. But one that certainly can be seen by naked eye, so the difference was that costume.
    Dayakan4
    Dayakan Not only that, when even this has developed a variant of the art of empowering, like a mask name ireng, grasakan and empower others. To mask ireng did not differ from classical empowering, it's just the art of face makeup, and costumes more ngejreng. They sometimes wear a crown of faux fur. As for empowering grasakan more a new creation by utilizing plants around the costume, such as leaf Breadnut, and ferns. So arguably more natural, and natural. The similarity of all variants empower the imposition klinthing all over the feet of the dancers. This he said can not be bargained.

    Today not only empower the arts flourished in the area Blondho and Paremono as pioneer areas only. You could say almost in every corner of the district which are spread throughout a community empower Magelang regency. Call it Borobudur, Pakis, or Ngablak, even Shamans are some districts that have many associations. The point is wider arts community who feel handarbeni this one.

    In addition ditanggap for celebration events such as weddings, or circumcision, the art of empowering often staged for event celebrations such as Merti village, seven teens, carnival, until the tide mustoko mosque. Hopefully in the future more ngrembaka art can empower and develop, and could become an icon for the District of Magelang, or even able to reach the sky become one of the nation even the world's cultural heritage

    Sunday

    Borobudur Buddhist Temple

     https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjE32YTT4w_8Ws3mPazk-cA8sEeFtkPxgDlS9QXyH5Jxt_N0FX9zEGpHZHqW9v5wp-j4Pmi2d95C5vbP5WHKDJ3g5Hpptl0S5StvvU7yHzIwPOKNWbL7hkEd_5EjD06GUGwUIAL8xu77ITy/s1600/Borobudur+Temple.jpg
    Borobudur Borobudur Name Location: Magelang regency, Central Java, Indonesia Country Wide 2.500m ² Source: Kompas, UNESCO
    Borobudur is the name of a Buddhist temple located at Borobudur, Magelang, Central Java. The location of the temple is approximately 100 km southwest of Hyderabad and 40 km northwest of Yogyakarta. This temple was founded by the Buddhists of the Mahayana sangha in the range of 800s AD in the reign of dynasty dynasty, such as building terraces, steps (there are 10 levels) and no roof. Material of this temple is one hundred percent of ancient stone.
    The name Borobudur
    During this time many polemic about the origins of naming this temple. Some argue that the name is probably derived from the Sanskrit word Sambharabhudhara, which means "mountain" (bhudara) where the slopes are located terraces. There is another argument that the name is derived from two words "Bhara" and "bedhuhur". Bhara word reputedly comes from the monastery, while there are also other explanations where the coal comes from Sanskrit which means temple or monastery complex and bedhuhur meaning is "high", or to remind the Balinese language means "above" being in the Java language, known the word "vertex" which most likely originated from the same word with "dhuhur". So the point is a monastery or temple complex located on high ground.
    Historian J.G. de Casparis in his dissertation for a doctorate in 1950 argued that Borobudur is a place of worship. Based on the inscriptions Karangtengah and Kahulunan, Casparis estimates, the founder of the Borobudur was named king of the dynasty dynasty around 824 AD Samaratungga The giant new building could be completed at the time of her daughter, Queen Pramudawardhani. Borobudur Development estimated take half a century.
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    Borobudur Structure
    Candi Borobudur BorobudurCandi punden shaped terraces, which consists of six levels of a square, three levels of a circular and a main stupa as a peak. Also scattered in all levels-the levels some of the stupa.
    Based on the writings contained in the "foot" was closed to the Borobudur temple in the form of letters from the ancient Javanese Pallawa letter, then it can be expected in the founding of the temple, namely in the year 850 AD, the island of Java at the time controlled by the family of the kings Sailendra between 832-900 years. So age was more than 1,000 tahun.Candi it consists of 2 million lump of stone, partly the walls in the form of relief which tells the Mahayana teachings. Temple edges have size 123 meters, is high including the top of the stupa that no longer exists because it was struck by lightning 42 m. The current height 31.5 m. At the bottom was shaped stupa Borobudur, the Buddhist shrine in its original form is a dome (half sphere) which stands on pedestal base and given an umbrella on it. The temple that has 9 levels, namely: 6 levels below,: "each side rather prominent tortuous, giving the impression multangular. 3 levels above it:''circular. And most of the so-called level-10 is large stupa diametrnya size 9.90 m, height 7 m.
    Borobudur has no spaces that formerly used as a place of worship like other temples. That there are long hallways which is a narrow road, both edges are limited by the walls of the temple, around the temples level by level.
    From one other level in the four corners there are entrance gate to another level via the stairs. In the halls of the Buddhist is expected to perform ceremonial walk around the temple to the right. The ceremony was called pradaksima
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    Level-10 Dutch historian Dr. J.G. Casparis in a doctoral dissertation for a degree in the year. 1950 suggested that Borobudur storied 10 illustrates clearly visible philosophy of Mahayana Buddhism called "Dasabodhisatwabhumi".
    Philosophy was taught, that every person who wants to reach the level position as a Buddhist Bodhisattva must exceed 10 degrees. If it has exceeded 10 levels, then the man will reach perfection and become a Buddha.
    Please note, that according to Mahaya Buddhism, Gautama Buddha diamping we know in history, there are also figures of Buddha etc., each according to his era, both in times past and in the days to come. Buddha in the future is now still be in nirvana and still storied Buddhist bodhisattva is a candidate in the future.
    Dr. J. G. Casparis argues that Borobudur is actually a place of worship of ancestors of the kings Sailendra, for ancestors attain Awakening.
    Ten levels of Borobudur was also symbolizes, that the ancestors of the king who built Borobudur Sailendra it amounted to 10 people. Based on many Karangtengah inscription 824 AD and 824 AD many inscriptions Kahulunan Dr. J.G. Casparis argued that the founder of the Borobudur is king named Samaratungga dynasty, circa 824. This artifact seems to only be resolved by the daughter of Queen Pramodawardhani.
    Until now there is no agreement between the archaeologists DSi and historians about the historical origins of this temple ..
    http://mizterioz.files.wordpress.com/2008/09/borobudur.jpg
    Depth-Depth of Borobudur
    In 1929 Prof. Dr. W.F. Stutterheim has put forward his theory, that Borobudur was essentially a "clone" of the universe which, according to Buddhism consists of three major parts, namely: (1). Kamadhatu, (2). Rupadhatu, and (3). Arupadhatu.
    Section "feet" symbolizes Kamadhatu, the world is still dominated by kama or lust (desire) is low, the ordinary human world like our world.
    Rupadhatu, namely the world who can liberate themselves from the bonds of lust, but maish bound by the looks and shape, which is a holy man and his world is the "nature of" separating "the unconscious" (Kamadhatu) with the "nature of" (Arupadhatu).
    Arupadhatu, which is "above nature" or nirvana, where the Buddha dwells, where absolute freedom is achieved, free from desire and free of bond forms and shapes. Because it was described as part Arupadhatu plain, no air-relief. Buddha statues Dhayani
    In part Rupadhatu Dhayani Buddha statue depicted open, ditempatka in a hole in the wall like an open window. But section Arupadhatu statues were placed in the stupa covered with holes as in captivity. From the outside still looks the statues were equivocal.

    How placement of such sculpture was apparently intended to describe a form creator oelh vague "between being and not being" as a transition meaning Among Rupadhatu and Arupadhatu. Arupa which means no tangible form or not a new fully reached at the peak and center of the temple was the largest and highest stupa depicted plain (without the holes), so that the statue did not appear therein. Stupas cage sculptures in the lower part Arupadhatu underlined italics, are the holes like a vertical stripes on it. According to the late Professor. Dr. Sucipta Wirjosaputro such holes is a symbol of the disappearance of residual levels of the last passion. The holes are lined sloping (less than the others) illustrate, that at that level there are still remnants of lust, are at levels above the vertical lines describe the passions that have been eroded out, and the liver was already straight. 3 km long relief; statue 505 units. Reliefs on the walls of the Borobudur temple, according to Drs. Moehkardi in essence number is 1460 scenes, are reliefs dekoratief (decoration) is 1212 pieces. Long relief is when connected wholly-grafting can reach 2900 m, so almost 3 km.
    Total statue is 505 pieces, consisting of:-Level-1 Rupadhatu to place statues of Buddha Manushi as many as 92 pieces;-Three levels of rest each have 92 Dhyani Buddha statues;-level above it has 64 Dhyani Buddha statues.
    Furthermore, there are also level Arupadhatu Dhyani Buddha statues are kept in the stupa, each level of: 32, 24 and 16 of 72.
    Finally at the very top of the main stupa, the former there is also a statue of the Adhi Buddha, the tallest Buddha in Buddhism Mahaya. So julah entirely is 3 x 92 pieces of 432 + 64 + 1 = 505 pieces.
    http://www.sacred-destinations.com/indonesia/images/borobudur/resized/relief-side-cc-susan-catherine.jpg

    Amazing numbers game.
    Drs. Moehkardi raised the numbers game in which the Borobudur Temple is very impressive, as follows:
    The number of stupas at the Arupadhatu (stupa at the top do not count) are: 32, 24, 26 which has a comparative basis, ie 4:3:2, and everything is divisible by 8.
    Height of the stupa at three levels tsb. Is: 1.9 m, 1.8 m, each distinct 10 cm. So is the diameter of these stupas, has the exact same size with height: 1.9 m, 1.8 m, 1.7 m.
    Some numbers in Borobudur, when added up the numbers will end up being number 1 again. Suspected that it was made so that could be interpreted: the number 1 symbolizes the Esaan the Adhi Buddha.
    Consider the evidence below:
    Total levels of Borobudur was 10, the numbers in 10 when added together the result: 1 + 0 = 1. The number of stupas in which there is Arupadhatu statues there: 32 + 24 + 16 + 1 = 73, number 73 when added together the result: 10 and as above 1 + 0 = 10.
    The number of the statues at Borobudur total of 505 pieces. When the numbers in it summed, the result is 5 + 0 + 5 = 10 as well as above 1 + 0 = 1. The Adhi Buddha in Buddhism Mahaya not be regarded as a supreme Buddha, but also regarded as the origin of any origin, and also the origin of the sixth Dhyani Buddha, so he referred to as "the Almighty". Thus the beauty of Borobudur as a visible and felt, contains a high philosophy, such as stored in the inner East nations, especially our nation. Discovery Borubudur It had never occurred by the Government of the Netherlands East Indies archipelago that once controlled by Britain would. Governor-General in charge of colonial issues in the East, Lord Minto should delegate authority in this archipelago to the Lieutenant Governor General Sir Thomas Stamford Raffles. Raffles has a great attention to the eastern culture, so that when in 1814 received a report about the discovery of ruins of the temple is expected, immediately sent HC Cornelius engineer officer for the Earth Segoro. That initial discovery of the buried Borobudur either since when and what causes it. The mystery that until now have not been revealed. Unfortunately, in 1815 the British had to leave and return the land to the Dutch colony. For the Netherlands, the legacy of history is also not less interesting. In 1834 Resident Kedu newly named Hartman served two years of seeking cleanup of Borobudur. Stupa which was top of the temple known to have dropped since Cornelius addressed 20 years earlier .. Over the next 20 years there was no region that is responsible for invention. In 1842 Hartman doing research on the main stupa. In the culture of Buddhism, the stupa was founded to save the relics of Buddha or Buddha relics students who have achieved sanctity. In the language of religion, called saririka dhatu relics, taken from the remaining physical form completed crystal cremation. If not achieve holiness, the remaining material is not crystalline and is not taken. When a crystal is retrieved and placed in the stupa. It is believed that these relics have a sacred vibration that leads to good deeds. At each ceremony Vesak, these relics are also carried in procession from the Mendut to Borobudur to be placed on the main altar in the western courtyard. Relic that should be in the main stupa of Borobudur till now not known who took and where stored. Thus, Borobudur was discovered in 1814 began to be handled under the command Hartman, among others, to bring the photographer, in 1845 named Schaefer, but the results are not satisfactory. That's why in 1849 the decision was made to draw only the building of Borobudur. Where the task entrusted to the berhasilkan Wilsen FC 476 images completed within 4 years. There was another who was commissioned to create a description of Borobudur that is still a guessing, namely Brumund. Results and Brumund Wilson submitted by the Government of the Netherlands East Indies to the new Leemans in 1853 made it in 1873. During the cultivation picture guessing that, by Hartman Borobudur be a place of recreation. At its peak set the building to see the beauty of nature while drinking tea. Cleanup continues rocks, pasted-paste from a supposedly random only. Boon to the King of Borobudur cleared from day to day, until the more interesting. It's fantastic for the Dutch authorities enjoy a great view over the ancient building such a big. In 1896, King of Thai, Chulalongkorn come to the Netherlands East Indies. As Buddhists certainly will not miss to watch the building of the stupa is touted by officials of the colonial government. Somehow her story is, the Dutch government offers the King to bring part of the stones of Borobudur. According to records not less than 8 carts through the Port of Tanjung Emas Semarang. Among those transported to the State of the white elephant is there are 30 plates wall reliefs of temples, Buddha statues, 5, 2 lions and 1 shower makara. When we are in the palace of King Bhumibol Adulyagej we can see the stones of Borobudur well maintained up to now. As a country which largely adopted Buddhism, the people expressed reverence before the statue of Buddha from Borobudur as a symbol of the greatness of his Master. So, long before the stones of Borobudur was placed as it should, part of the rocks that are in the palace Dynasti Cakri been treated well, because the royal family there to understand the symbols contained in a small part relic religion. Restoration In 1882 no proposal to dismantle all the stones of Borobudur to be placed in a museum. This proposal is not approved, even encouraged efforts to rebuild until shaped temple ruins. Another impetus for the more open the veil of mystery dalah discovery of one more floor below the first floor of the temple by Vzerman in 1885. In 1900 formed a special committee of planning restoration of Borobudur temple. After working for two years, the committee concluded that three things need to be considered in the restoration are: First: immediately sought combating of urgent danger of collapse that has been strengthened by the corners of the building, re-establish the sloping walls on the first level, improve the gate- arch, niche and stupas, including the main stupa. Second: to perpetuate the situation that has been repaired by means of holding the strict and proper supervision, improve drainage by way of improving the floors and hallways. Third: displays temple is clean and intact by removing all the loose rocks to be installed again and get rid of all the additional buildings. In 1905 the Government of the Kingdom of the Netherlands out decision, which approved the proposal of the Committee with the provision of funds amounting to 48,800 guilders to appoint engineers Engineers T.van Erp. Renovation began in August 1907 which was completed in 1911. Thus, Borobudur beauty can be enjoyed in full. After the proclamation of independence, in 1948 the Government of Indonesia that is still in settlement countries considering the damage to Borobudur which has been known since 1929 to bring in two experts from India's ancient. Unfortunately there is no continuation of this business. In 1955 the government of Indonesia requested assistance to Unesco to save the various temples in Java, Borobudur is no exception. More steady effort began only in 1960 that stalled because of the rebellion G.30.S/PKI when the nation and the country facing communist concentrate.
    http://www.buddhanet.net/e-learning/history/buddhist-art/images/boro_relief1.jpg
    Seriously new temple restoration done on the New Order era, through Presidential Decree No.217 of 1968 dated July 4, 1968 established the National Committee in charge of raising funds and implementing the restoration. The following year the President dissolved the Committee and charged the task of restoration to the Minister of Transportation.
    1973 inaugurated the beginning of the restoration that was completed on February 23, 1983. This rescue effort is the most stable in the history of Borobudur care. Trilogy When Borobudur was established with certainty yet found data. Of the many Karangtengah Inscription Inscription 824 M and 842 Sri Kahulungan many mentions that there are three temples dedicated to glorifying the greatness of Buddha, namely Mendut, Pawon and Borobudur.
    https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2GeVHSK2RZcRAgcCREytuRQ-tmaJPx-XLLLcHyNeCpzMZuts_twO0CM6CSB7-APyXtdq2wNlX6zR9rVzTzMQS1BqHPNQpDIU475vXz4lLceK5eS-wFBRpr3kMSCd2rTuqg9eXs4tKmk4/s320/relief_borobudur-1.jpg
    The building in question is Mendut founded by Pramudyawardani, Pawon which was founded by by Indra and Borobudur which was founded by the king of the dynasty named Samaratungga Dynasti. No definite chronological sequence of the third built this temple, but all three have an attachment of one another.

    Of existing reliefs, Temple Mendhut established to commemorate Buddha's first sermon. On the wall was clearly offered an alternative that may be selected by the followers of the Buddha, that life as a monk renounce the world (hermit) or living in the mundane for the welfare of others showing prosperity to the nation. Buddha taught the election referred to with a definite and clear consequences. To learn more about life through the achievement of Nibbana (Nirvana), then at Borobudur described in detail, from the lustful life, through birth after birth in both the nature of animals, nature, god or human nature until eventually there is no birth again called Nibbana .
    But to find a deeper meaning contained in the wall of Borobudur, our minds should be ripened at Pawon first. Thus the meaning of the Buddhist pilgrimage trip to Borobudur. From Mendhut, stop in Pawon to Borobudur, rather than vice versa from the grandest to the initial search for dharma. This can also be illustrated our lives, first look for a handle of life, choosing among the alternatives available and then through a full pendadaran quiet and concern to achieve greatness. All three lie in a straight line from east to west. Relief Borobudur All relief panels in Borobudur temple walls, the orientation starts from the East Gate. On the first floor, immediately turning left to walk in a clockwise direction is called "Circumambulating". As the first reliefs depicted when the bodhisatta (Bodhisattva) was in Nirvana Tusita, guided by deva when to be born as human beings. It was only in the walls of the 13 depicted as Queen Maya dreamed that an elephant into the womb as a harbinger of the crown prince will give birth at an advanced age. Surrounding the wall first until the end of the East Gate again depicted as the Buddha expounded the dhamma (dharma) for the first time in front of five people in the Garden Isipatana hermit. The story is called Lilitavistatara life. Reading the relief of the second floor to the fourth floor in the third depiction Circumambulating can be witnessed the rebirth bodhisatta before his birth as a human who teakhir Siddhattha (Siddhartha). The set depicts the story is that when life as rabbits, elephants, humans and even gods. This story is taken from the fifth book of the Sutta Pitaka, part of Khudaka Nikaya called Jataka. Jataka stories of this well-liked by children are Buddhists, and making it believe that there is rebirth before achieving Nirvana. Starting the fifth to the seventh floor walls are not berelief. If the previous four square floor, three floors with no relief, called Arupa-Datu circular. Ninth part is the main stupa. There's more one-story basement (underground), which only opened slightly, called Kama-Datu, describe memenuhan lust. Four floors berrelief by historians called Rupa-Datu. That is why Borobudur is also called "sacred building ten levels." Borobudur ten-story clearly illustrates the philosophy of Mahayana Buddhism Sangha. Philosophy that teaches that every person / creature who devote themselves to humanity and others earned the nickname of the Bodhisattva, who took the 10th stage. If it has exceeded all levels, humans will reach perfection (moksa).
    Kamadhatu symbolizes the foot of Borobudur, the world is still dominated by kama or "low desire". This section is mostly covered by a pile of stone that allegedly made to strengthen the construction of the temple. Only a small portion is opened so people can see the relief of this section. Four floors with wall berelief on it by the experts called Rupadhatu. The floor is rectangular. Rupadhatu is part of the world who can break free from lust, but is still bound by the form and shape. In essence, the world for people who entered the natural between the bottom and the nature of nature. In part this Rupadhatu Buddha statue depicted openly. The statue was placed in a wall niche that resembles a window. Starting the fifth to the seventh floor walls are not berelief called Arupadhatu. The floor was a circle. Aruphadatu, nature of, or nirvana, where Buddha is residing. Absolute freedom has been achieved that is free from desires and bond forms and shapes. Therefore, the described Aruphadatu plain, not berelief. Buddha statues are placed in the stupa is covered with holes as in captivity. From the outside still looks the statues were equivocal. Stupas in Borobudur.Strata Arupa (which means no tangible form or not) describe the lack of form at the top of the temple's largest and highest form of the stupa. Stupa described plain without the holes. In the highest stupa believed in it there is a statue Adibuddha suspected of a statue that looks damaged and obsolete. No obvious news later this statue, there are placed outside the temple because it says "object failed", placed in the museum that the museum is not clear, some say taken abroad (Dutch?) Because some (five) Buddha statue along with 30 stone with reliefs, two stone lions, some kala-shaped stone, stairs and gates are sent to the King of Thailand, Chulalongkorn who visited the Dutch East Indies (now Indonesia) in 1896 as a gift from the Dutch at the time. Borobudur has no worship spaces like other temples. That there are long hallways are narrow merupakanjalan. The hallways surrounding the walled temple level by level. In the halls of this is expected to conduct Buddhist ceremonies walk around the temple to the right. Borobudur structure when viewed from above form a mandala structure. Relief At every level carved reliefs on temple walls. These reliefs read according to the clockwise or called mapradakṣiṇa in Old Javanese language derived from Sanskrit meaning is daksina east. These reliefs variety of story content, among others, there are reliefs of the Hindu epic Ramayana. There are also reliefs Jataka stories. Stages of development Borobudur Borobudur The first phase of construction period is not known for sure (estimated between 750 and 850 M). Initially built-storey apartment layout. It seems designed as a pyramid with staircase. but later changed. As there is evidence of a dismantled apartment layout. The second phase Borobudur foundation widened, plus two square steps and one step directly circle given huge main stupa. The third stage is Terrace of the circle with a large main stupa dismantled and removed and replaced by three railroad circles. Stupas are built on top of these steps with a large stupa in the middle. The fourth stage is relief of minor changes such as making changes to the stairs and arches above the door.
    The discovery and restoration of Borobudur chronicle
    1814 - Sir Thomas Stamford Raffles, Governor General of the United Kingdom in Java, heard of the discovery of archaeological objects in the village of Borobudur. Raffles ordered H.C. Cornelius to investigate the discovery site, a hill covered with shrubs.
    1873 - The first monograph on the temple issue.
    1900 - Dutch East Indies government established a committee of refurbishment and maintenance of the temple of Borobudur.
    1907 - Theodoor van Erp led the restoration until 1911.
    1926 - Borobudur restored again, but stopped in 1940 due to malaise and the crisis of World War II.
    1956 - Indonesian government requested the assistance of UNESCO. Prof. Dr. C. Coremans came to Indonesia from Belgium to investigate the causes of damage to Borobudur.
    1963 - Indonesian government issued a decree to restore Borobudur, but the mess after the events of the G-30-S.

    1971 - Indonesian government established body that is chaired Prof.Ir.Roosseno restoration of Borobudur.
    1972 - International Consultative Committee was formed with the involvement of various countries and Roosseno as its chairman. Committee sponsored by UNESCO to provide 5 million U.S. dollars from 7750 million dollar refurbishment costs the United States. The rest is borne Indonesia.
    August 10, 1973 - President Soeharto inaugurated the commencement of the restoration of Borobudur; restoration was completed in 1984
    January 21, 1985 - bomb attack that destroyed several stupas at Borobudur temple which was immediately repaired. 1991 - Borobudur designated as World Heritage by UNESCO. 3. Laminate parquet

    NIAS RATE

     


    Clothing, jewelry and weapons in Nias and given a very wide range of colors and decoration (carving) in variety as well. In a traditional ceremony or ceremonial grandeur, clothing and jewelry, golden or yellowish very popular addition to a combination of some other colors like black, red and white. Yellow color combined with rectangular pattern (Ni'obakola) and cotton flower pattern (Ni'obowo gafasi) is often used by the nobles to describe the triumph of power, wealth, prosperity and greatness. The red color combined with triangle pattern (Ni'ohulayo / ni'ogöna) is often worn by soldiers to describe the blood, guts and capabilities of the soldiers. The black color is often worn by the peasant people describe the situation of grief, endurance and alertness. The color white is often worn by ancient religious leaders (ERE) described chastity, purity and peace.

    TRADITIONAL HOUSE NIAS

     





    Custom house Nias Nias Selatan temporary oval box. Equally from both, in addition to house-shaped stage is usually constructed adjacent house. Lined, almost attached. Now the limit is just a ladder. Perhaps, this pattern is very important in battle. So the barrier between the house door opened, so that the enemy does not know where the target run. Because one end-to-back continued.

    Jump STONE NIAS

    Jump Nias Stone is one of the cultural heritage of  ancestors passed down through generations until nias society today, where in the era of tribal ancestors fought one with another tribe, but to enter the area the enemy is not always easy especially for beat., because in some areas enemy, has a very strong camp defense among several points of sharp bamboo which is a
    fortress, but the dexterity of our ancestors train yourself through a rock jump with passion and
    confident
    so that the enemy fortifications can be passed with a very high jump, eventually became an enemy fortress fell and after that the enemy in defeat ...


    NIAS RATE
    Origins Nias
    According to the people of Nias, one of the mythical origin of Nias tribe comes from a tree of life called "Tora Sigaru` a 'which is located in a place called "Tetehöli Ana'a". According to the myth of the above said first human arrival to the island of Nias began in the era of King Sirao who has the Son has sent 9 people out of Tetehöli Ana'a since gaining Sirao Throne. To 9 Son that is what is considered to be the first people to set foot on the island of Nias.

    Food and Beverage typical Nias
    Food:

         * Bawi Ni'unagö (pork meat that is dried by evaporation)
         * Gowi Nihandro / Gowi Nitutu (Ubi mashed)
         * Harinake
         * Godo-Godo
         * Dedek pig
         * köfö-köfö (fish meat were destroyed, formed round and dried / dried / smoked)
         * Niowuru

    Drinks:

         * Tuo Nifarö
         * Badu-Badu

    Culture Nias:

         * Skip Stone
         * Dance War
         * Maena
         * Dance Moyo
         * Dance Mogaele
     

    Wednesday

    History of Silver and Gold Jewelry in Bali

    The art of metal work arrived in Indonesia in the Bronze Age from Southern Chinese and Southeast Asian areas. Bronze drums, dated from as early as the fifth century BC, have been found throughout the archipelago, and some of them are believed to have been cast in Bali. Indeed, the most famous of these drums, the massive Moon of Pejeng, still rests in Bali on a temple pavilion in the village of Pejeng. The drums were cast in the lost wax style and in stone molds. Beads of glass, carnelian, shell, silver, gold and other metals have been found in Bronze age sites as well. The earliest metal jewelry was primarily copper with some gold, silver and "suwasa", which is one part gold and two parts copper. Metal age graves reveal gold necklaces, hairpins, beads and rings. Initially, raw gold made its way to Indonesia from China and India but eventually gold was found in Sumatra, which became famous for its jewelry and dagger hilts.
    By the time of the birth of Christ, the people of Sumatra and Java were practicing rice cultivation with irrigation and the use of the buffalo-drawn plow. The accumulation of wealth which ensued encouraged the refinement of many art forms, including jewelry. By AD 1,000 gold and silverwork in Java had reached a level of artistry as high as that of the bronze caster. The abundance of gold was documented by a Chinese trader who reported in 1225 that Javanese criminals, except for thieves and murderers, were not imprisoned or subjected to corporal punishment but fined in gold.
    The Majapahit Empire of Java began colonizing Bali in the 14th century. (The Majapahit imposed a caste system on Bali with themselves on top and the original inhabitants of the island on the bottom.) By the beginning of the 16th century Bali became a sanctuary for Hindus forced out of an increasingly Islamicized Java. As the Majapahit Empire crumbled, there was a huge influx into Bali of Javanese noblemen and craftsmen and Bali became one of the main centers of precious metal craft.
    The facility where we produce our Bali sterling silver beads is located in Bali, in the outskirts of a village called Celuk. Celuk has a tradition of metal work that stretches back many generations. Its craftsmen catered to aristocrats in the nearby court town of Gianyar and the noble houses of Sukawati and Ubud. Historically, the Royal Courts of Bali were avid patrons of the arts, which they used as expressions of their sacred and temporal power. The Dutch sea captain Arnoudt Lintgens, who visited the court kingdom of Gelgel in east Bali in 1597, was impressed by the lavish display of exquisitely fashioned gold ornaments including parasol fittings, lances and daggers.
    Although most smiths come from the lowest 'sudra' caste, Balinese metal smiths have always been held in awe. The word 'pandai' means both 'smith' and 'clever'. A group of smiths from Singaraja, in the North part of the Island, trace their line back before the immigration of the Majapahit Javanese. Another clan of smiths consider themselves direct descendants of Brahma, the fiery Hindu God. The symbolic importance of precious metals in Hindu cosmology is reflected in the belief that the triple peaks of Mt. Meru, the abode of the Gods and the center of the world, are made of gold, silver and iron.
    The Balinese have several traditions concerning the origin of goldsmiths. Ancient Hindu lontars (books of inscriptions written on leaves of the lontar palm) tell of the mythical history of the arts. In one, the gods are sent to Earth to teach men civil behavior. The god Mahadewa trained the goldsmiths and silversmiths while Sang Citra gave them specific instruction in jewelry making. Smiths who worked with precious metals were called, "pande mas," goldsmiths, from then on. In another inscription, a Brahmin from Majapahit named Empu Sari first taught the Balinese to work gold. Yet another calls the first goldsmith Sang Mangkukuwan, eldest son of Vishnu.
    Balinese smiths still produce beautiful gold ornaments for domestic use but the majority of production is silver work for the export market. International demand has grown so rapidly that new centers of production have sprung up in Denpasar and Kuta. In recent years, Celuk has absorbed young people from diverse backgrounds who train and work side by side with others whose families have been working with precious metals for hundreds of years.
    There has also been a significant influx of silver and goldsmiths from the island of Java. Modern Javanese silversmiths specialize in fine filigree work and 'plin', a style of shiny flat surfaces and clean, streamlined joints. In contrast, Balinese smiths specialize in granulation, in which minute spheres of silver are arranged in beautiful geometric patterns. Many designers today want motifs that combine the Javanese and Balinese traditions. To accommodate them requires cooperation and cross training.
    The earliest Balinese silver jewelry designs were copies of traditional gold jewelry. The Balinese use beautiful repousee silver bowls and implements for their temple offerings but for jewelry they prefer gold, and would rather go without than wear silver. As a result, silver jewelry developed only recently and has always been an export product. As the market for silver grew, there was pressure to diversify and motifs from many cultures were quickly diffused through the community of smiths. The use by artisans of multicultural motifs is an ancient practice. Gold jewelry found from early Egypt, Greece, Phoenicia, Persia and later Rome, all display motifs borrowed from one another. The migration of skilled craftsmen, especially goldsmiths, from dying to emerging civilizations is also an age old trend.
    While in the ancient world migration and Phoenician traders were responsible for slowly diffusing ideas, the process has become almost instantaneous with the advent of television, airplanes and fax machines. Today, buyers come to Bali from all over the world. Designers flock to the island as well. They are drawn by the sympathetic environment as much as by the skill of the craftsmen. Bali seems to nurture creativity. It is a setting in which the seeds of one's imagination germinate with the same careless abandon as those of the lush vegetation. Many of the cottage industries produce work for foreign designers but the creative process is almost always a collaboration in which the influence of the Balinese craftsmen is readily apparent in the finished product.

    Beautiful Bali Jewelry - What Makes Bali Jewelry Unique?

    Bali is a small island located in Indonesia. It has traditionally been home to jewelers and master artisans that work with silver, and create detailed and very unique and beautiful pieces of jewelry.
    Bali jewelers use traditional methods to produce their unique style of silverwork. The traditions have been handed down from the Southern Chinese and Southeast Asian artisans, and many of the patterns and motifs used today have similar designs. Many families in Bali can trace their silversmith and jeweler roots back to the Majapahit Empire and the invasion of the Javanese in the 16th century. In Bali, metal smiths are known as Pandai, a term that means both smith and clever. In legends in the area, the first goldsmith clans were taught their craft by the gods that were sent to earth to teach humankind civil behavior.
    Most jewelry in Bali, while originally gold, is now silver. The silver market is more popular worldwide, and the booming demand for exports dictates the production. There are both Balinese and Javanese traditions seen in what is known as Bali jewelry. Balinese silversmiths tend to use small spheres of silver arranged in intricate patterns on a silver background. This technique is called granulation, and provides a sharp contract between the darker background of the natural silver and the highly polished spheres of silver. Javanese silversmiths use fine filigree work on smooth, polished silver background. Most of the Bali jewelry on the market today is a combination of these two traditions.
    Bali jewelry is unique is its combinations of silver with other metals and gemstones, in a fashion that is distinctive. The dark background of the unpolished silver serves to frame the patterns of the polished silver and highlight the gems and other metals used. Recently more woven-type silver and gold jewelry is being produced in Bali, and this has become very popular as an export.
    Popularity
    Bali jewelry continues to be much sought after and very much in demand. It is important to note that many collectors can identify which silversmith clan produced the particular piece of jewelry simply because of the pattern of granulation that is used on the piece. The patterns are intricate and eye catching, and often incorporate other metals such as gold as well as gems.
    In addition to rings, bracelets and pendants, Bali also produces beautiful and unique silver beads. These beads are extremely detailed and intricate, and are used for both commercial jewelry making and home hobby jewelry making.
    The internet has increased the popularity of Bali jewelry with more people being able to access sites that sell the product. The high quality craftsmanship and uniqueness of the pieces give consumers a wide choice of items.